Two Cuban actors bound for the Tribeca Film Festival in New York who disappeared in Miami have come forward and confirmed they are seeking political asylum in the United States, Reuters reports. Anailin de la Rua and Javier Nuñez, cast members of Una Noche (One Night), appeared on TV Friday night on the Miami-based Spanish language channel America TeVe. De la Rua and Nunez said their real-life experience was not as dramatic as the harrowing story depicted in the movie for which Nuñez and Dariel Arrechada shared the festival's best actor award. Una Noche follows three Cuban teens as they attempt to escape on a raft. De la Rua and Nuñez, who fell in love during filming, play a brother and sister. They said their decision to leave Cuba stemmed from the success of the film and invitations to travel to festival premieres in Berlin and New York. 'In part it's hard to leave your family and friends behind,' said de la Rua, who has two sisters and divorced parents in Havana. 'But at the same time you do it so you can help them. There's no future in Cuba.' Nunez said his mother lives alone in Cuba and he plans to help her out economically along with his older brother who left Cuba for Ecuador several years ago. Both now 20, the actors were 15 when they auditioned separately for the film, and then spent two years preparing for their roles. Tribeca honored the film's Lucy Mulloy as best new narrative director. Una Noche also received the nod for best cinematography.
Related: 2012 Tribeca Festival Honors 'War Witch', 'Una Noche' Actors, Director
As expected, the Cannes Film Festival has added a series of titles to the official selection. Two new midnight screenings are in the mix: Wayne Blair's Australian film The Sapphires, starring Chris O'Dowd and Maniac, Frank Khalfoun's reboot of the cult serial 
killer movie starring Elijah Wood. Candida Brady's Trashed has been added as a special screening. The British film is a documentary about wastefulness. And, in Un Certain Regard, the fest has included Aida Begic's Djeca from Bosnia-Herzegovina, Adam Leon's buddy caper Gimme The Loot and Gilles Bourdos' Renoir. The latter film, about the relationship between Auguste and Jean Renoir and a woman they both see as a muse, will close the UCR section. Final Cut by Hungary's György Pálfi will close the Cannes Classics section.
Barnes & Noble shares are up more than 70% in pre-market trading following the announcement. The computer software giant will own 17.6% of the Nook subsidiary, valuing it at $1.7B, and provide a Nook application in its new Windows 8 operating system, the companies said this morning. Barnes & Noble will own the remaining 82.4% of the venture. The agreement also settles the patent infringement complaint that Barnes & Noble raised against Microsoft last year. The bookseller and its Nook subsidiary 'will have a royalty-bearing license under Microsoft's patents for its NOOK eReader and Tablet products,' the companies said. Barnes & Noble is throwing its College books business into the subsidiary. Its Nook Study software 'will provide students and educators the preeminent technology platform for the distribution and management of digital education materials in the market.' Barnes & Noble CEO William Lynch says that Microsoft's investment will help 'bring world-class digital reading technologies and content to the Windows platform and its hundreds of millions of users, (and) will allow us to significantly expand the business.' Barnes & Noble said in January that it was considering a spin off of its Nook business. The book chain says in an SEC filing that Microsoft will pay the Nook subsidiary $60M a year in the first three years after it launches Windows 8, as well as $25M a year for five years to help the enterprise acquire digital reading content and develop technology.
are reporting grosses. The superhero super-blockbuster doesn't come out in the U.S. until May 4th but already it's scooping up 60+% of all pre-sold movie tickets online and more than all the previous Marvel films combined. My sources report $178.4M international box office in its first 5 days of release in 39 territories. Marvel's The Avengers from Disney now is playing in approximately 70% of its foreign run. Latin and South America dominated with the highest opening weekend of all time in major markets like Mexico, Brazil, Argentina, Central America, Peru, and Boliva. As well as the Asian makets which had the highest opening weekends like Hong King, Taiwan, Malaysia, Philippines. Big ticket nations like Russia, China and Japan still to open, and May Day is a huge holiday. TThe pic is ahead of Alice In Wonderland, Pirates Of the Caribbean 4, Iron Man 2, and The Dark Knight.
new low-cost movies opening in North American wide release and performing worse than expected at the box office. This was one of 2012's worst weekends with overall box office $110M, or a big -27% off from last year. Full analysis in the morning. Universal's R-rated comedy The Five'Year Engagement (2,936 theaters) from Judd Apatow's banner is tanking. Good thing it was low-budget. It fell victim to both of last weekend's winners and one newcomer. Sony/Screen Gems' holdover Think Like A Man (2,014 theaters) will end up #1 (and may be the first 'urban comedy' to finish on top two weeks in a row since director Tim Story's Barbershop). Warner Bros' The Lucky One (3,175 theaters) should end up #2. But also below Sony's #3 Pirates! Band Of Misfits (3,358 theaters) which could jimp into second place by end of Sunday because of its kiddie matinee bump. Lionsgate's The Hunger Games (3,572 theaters) hangs in for #5 today as it inches towards $375M domestic cume. Lionsgate's Safe (2,266 theaters) and Relativity's acquisition of Intrepid Pictures' The Raven (2,203 theaters) are struggling this weekend. Audiences handed out the following CinemaScores: The Five-Year Engagement 'B-', Pirates! 'B', Safe 'B+', The Raven 'B'. Full analysis coming.
After less than glowing audience reaction to clips of The Hobbit: An Unexpected Journey screened in ultra-high-resolution at CinemaCon in Las Vegas, director Peter Jackson says 'Nobody is going to stop. This technology is going to keep evolving.' But he hopes moviegovers will wait and judge the finished movie when it comes out December 14. Some observers at the CinemaCon presention thought the imagery shot and projected at 48 frames per second was too sharply different visually from the longtime industry standard of 24 frames per second. A three-time Oscar winner echoed Jackson's observation. 'I think we should let him finish it and see what it's like then, but it seems a little like the look of a soap opera'. Jackson said he noticed that some in the audience seemed to like it more as the show went on. 'I just wonder if they were getting into the dialogue, the characters and the story. That's what happens in the movie. You settle into it.'
The stock is down more than 4% in early trading following an earnings report that showed the large screen theater company ' which has been on a roll so far this year ' barely missed the Street's profit expectations. IMAX reported net earnings of $2.6M, up from a $1M loss in the same period last year, on revenues of $55,6M, up 23%. Adjusted earnings came in at 6 cents a share, shy of the 7 cents that analysts expected, although the revenue number beat forecasts for $54.3M. IMAX says that it took a $700,000 charge to install equipment that enables some of its theaters to play digital or analog versions of movies including Warner Bros.' The Dark Knight Rises. Investors have become bullish on IMAX ' driving its price up 28.6% in 2012 ' as ticket sales recovered from the dismal performance at the beginning of 2011. IMAX's box office sales in Q1 rose 66% to $19.1M. The company says that's due in part to a ''halo effect' from Paramount's Mission: Impossible ' Ghost Protocol, and its shift to fanboy films from family ones. Films scheduled for this year include Warner Bros' The Avengers, Sony's Men in Black 3, Fox's Prometheus, and Sony's The Amazing Spider-Man. The company installed 26 theater systems in Q1 and struck deals to build 23. That brings its backlog of construction projects to 261. IMAX had 510 theaters in commercial multiplexes, up from 386 a year ago. '2012 is off to a strong start,' CEO Richard Gelfond says. 'We are still in the early stages of our international expansion, and our pipeline of new theatre deals remains robust. We believe that the IMAX platform is becoming increasingly important to our business partners and consumers, and we look forward to bringing The IMAX Experience to more and more audiences around the world.'
Financing wasn't the overriding hurdle for at least two of this weekend's specialty debuts. The crews from 96 Minutes and Bernie contended with other challenges beyond funding to bring their projects to the screen. Meanwhile, the writer/director for Restless City made his production a reality after financing frustration on another project lured him to his latest feature. And remember the good folks at the MPAA who received the righteous wrath of The Weinstein Company and its publicity prowess for the dreaded R rating for Bully? Fellow New York distributor Kino Lorber is making the MPAA's prudishness its marketing ally, hoping to make a box office hit with its erotic Elles, which the company submitted for a rating (something it rarely does). And the result is an NC-17. Exactly what Kino Lorber expected.
Financed through equity investors in L.A. and Atlanta, writer-director Aimee Lagos' 96 Minutes secured about $1 million and shot over 18 days. The feature revolves around four 'lives slammed together in a shocking moment,' so the tagline goes. 'We had a number of challenges that went far beyond the typical under-resourced/short-schedule issues,' Lagos told Deadline. 'A large part of the movie takes place in a moving car. Rather than using a typical process trailer or a stage, we had a local auto shop create a custom designed SUV surrounded by a camera platform that was driven from the roof. The result was a fully functional moving stage that allowed us to shoot from all angles and also created a more life-like experience for the actors.'
Bernie
Elles
Inventing Our Life: The Kibbutz Experiment
Restless City
EXCLUSIVE: It's the end of a modern Hollywood era, the quiet finish to one of the most long-term, big-time, noisy, up and down, and ultimately dysfunctional relationships between a film producer and a movie studio. I have learned that Joel Silver will no longer have a production deal at Warner Bros at the end of 2012. His Silver Pictures also won't be housed on the studio's Burbank lot after then ' famously in the offices built for Frank Sinatra in 1963 ' which is why the producer right now is looking for buildings in Santa Monica. So what happened? 
I can tell you that the tipping point came during Christmas 2011 when Silver began loudly complaining around Hollywood, and using surrogates to grouse directly to showbiz media, about Warner Bros' handling of Sherlock Holmes 2's release. Silver was a producer on the sequel, which was playing catch up to that holiday's runaway No. 1, Paramount's Mission: Impossible 4. Silver and his surrogates bitched about everything, from the studio's marketing and distribution to the fact that Warner Bros shouldn't have paired a first glimpse of its hot The Dark Knight Rises footage with I:M4's IMAX release. They claimed the move goosed M:i4 grosses to the detriment of Sherlock Holmes: A Game Of Shadows. (It had PR value but proved revenue neutral.) They claimed Sherlock 2star Robert Downey Jr was so furious he would never work again for the studio. (Not true.) Warner Bros movie chief Jeff Robinov felt the Sherlock Holmes 2 blame game orchestrated by Silver was destabilizing the studio. 'Jeff said to Joel, 'You're panicking as you always do, blaming everyone, infuriating everyone. Internally and externally you're creating problems for us.'
Political thriller The Reluctant Fundamentalist is based on Mohsin Hamid's novel and stars Kate Hudson, Riz Ahmed, Kiefer Sutherland, Liev Schreiber, Martin Donovan and Om Puri. Nair is directing from a script by Hamid, Ami Boghani and William Wheeler. The story follows a young Pakistani man chasing corporate success on Wall Street, who ultimately finds himself embroiled in a conflict between his American Dream, a hostage crisis and the call of his family's homeland. The film received financing from the Doha Film Institute and is a Cine Mosaic and Mirabai Film production. Lydia Dean Pilcher is producing. Filming took place in Atlanta, Delhi, Istanbul, New York City and Lahore. K5's New York head of acquisitions, Erica Motley, acquired the film alongside Oliver Simon. K5 co-founding partner Daniel Baur, Josh Grode for DFI and Lydia Dean Pilcher for Cine Mosaic negotiated the deal. K5 will launch international sales and show footage in Cannes.
EXCLUSIVE: Husband-and-wife writing team Stephen Dyer and Jonah Lisa Dyer, who scripted the invention of the vibrator pic Hysteria that just played at the Tribeca Film Festival, have been hired by Sony Pictures to rewrite Pioneer Woman. That is the film adapted from Ree Drummond's blog/cookbook and memoir The Pioneer Woman: From Black Heels To Tractor Wheels that Sony optioned for producer Laura Ziskin Prods back in 2010, with Reese Witherspoon attached to play Drummond, and Robert Harling attached to write.
The project languished when Ziskin passed away, and Steel Magnolias scribe Harling moved on when he got his TV series picked up. Then, Laurence Mark came aboard to produce with Pam Williams, who was president of Ziskin's production company. After Williams saw the Tanya Wexler-directed Hysteria at the 2011 Toronto Film Festival, she invited the scribes to pitch their vision for Pioneer Woman, and they got the job over other writers. Witherspoon is still attached. Hysteria's exhilarating run at Toronto climaxed in a distribution deal with Sony Pictures Classics.
London / (April 25, 2012) Kaleidoscope Film Distribution (KFD) today announces the acquisition of $20 million family adventure feature, THE PENGUIN KING 3D ' narrated by David Attenborough.
The 2012 Cannes Film Festival has announced its Directors' Fortnight sidebar, naming the Michel Gondry-directed The We and the I as the opening film. There will be 21 films, 18 of which are premieres from around the world. Here's the list:
BEIJING (April 24, 2012) ' In the wake of China's record-breaking box-office opening of TITANIC 3D, Twentieth Century Fox Home Entertainment (FOX) AND SONY have announced an exclusive, large-scale bundling partnership for the film's Blu-ray 3D release this fall. Marking the industry's biggest bundling and promotional program to date in China, James Cameron's epic love story will be packaged with SONY's Blu-ray Player and Blu-ray Home Theatre to provide consumers with a fully immersive Blu-ray 3D in-home experience like never before.
Interestingly, CinemaCon executives tonight warned the audience that security personnel were using night-vision goggles and other technologies to nab potential movie pirates. It seems to have worked: CinemaCon Managing Director Mitch Nauhauser said one person was caught filming and turned over to local police.
Longtime Hollywood mogul Peter Chernin's indie company has just received a new infusion of capital to help with his goal of expanding into a global media company 'across all fronts with this additional expertise and resources'. Led by Providence Equity Partners, the investors are taking what's being called a 'significant minority equity stake' in his television/movie/internet company The Chernin Group. The official announcement will be made Monday morning. Financial terms were not disclosed, but Deadline has learned the investment is $200M. Chernin and Providence CEO Jonathan Nelson became chummy while they worked together to establish the online video site Hulu as a joint venture with NBCUniversal. The pair tell the Financial Times they also looked at making a bid for Yahoo together over a year - but then decided against it. They say the new partnership would have the resources to pursue 'any deal of any size' around the world, from making multibillion-dollar bids to incubating start-ups. And they say their first deals are 'very close' and could be announced within weeks.
The first-ever Sundance London Film and Music Festival kicks off in the British capital on Thursday. It will host the UK premieres of films that debuted in Park City back in January and will have a music component featuring T Bone Burnett, Placebo and Rufus and Martha Wainwright. As part of the ramp-up, the Sundance Institute and British nonprofit WorldView have announced they'll jointly present awards at the festival to four films that focus on social justice issues in the developing 
world. Recipients of the prizes are Kashmir-set romance Valley Of Saints by Musa Syeed, which won the World Cinema Audience Award at Sundance 2012; Katie Mark's Street Girls, about prostitutes in Nigeria; Adewale Akinnuoye-Agbaje's Farming, about a Nigerian boy's search for love within a brutal skinhead subculture; and Sally El Hosaini's My Brother The Devil, about a set of British-Arab brothers in London, which also took the World Cinema Cinematography Award at Sundance in January. The prizes come with a £5,000 or $10,000 purse.
awarded its honors in Los Angeles tonight for most outstanding images of the lesbian, gay, bisexual, and transgender community in the media. AP is reporting that the 23rd Annual GLAAD Media Awards went to ABC's Modern Family for TV comedy series, the indie Beginners for wide-release film, and Lifetime's Drop Dead Diva and TV Land's Hot in Cleveland in a tie for individual TV episode. The Hunger Games star Josh Hutcherson won the Vanguard Award. But it was Chaz Bono who picked up a pair of trophies: the 43-year-old transgender activist won the outstanding documentary prize and the Stephen F. Kolzak Award.
bestselling book by TV/radio comedian Steve Harvey and starring new comedy star Kevin Hart is North America's #1 movie. But also by its gross through Sunday looking like double what execs predicted. And Saturday's number was up +10% from Friday's figure. The weekend total may finish as high as $33.3M. And yet this urban comedy ' like it or not, that's what the movie industry calls this genre ' was playing in only 2,017 locations. It was aimed squarely at African-Americans ages 13 to 49 but then wound up crossing over big-time with all audiences regardless of race and sex. It earned an 'A' CinemaScore from audiences: 'A+' Males, 'A' Females, 'A+' under age 25, 'A' every other category. Big online ticket seller Fandango called this contest early when it reported that Think Like A Man was its top-selling movie grabbing a healthy 42% of Thursday's sales. 'The movie had a negative cost between $12M-$13M so we're thrilled,' a Sony exec emails me. 'Any weekend where you make back the negative cost in the first weekend is a good weekend in our books.'
I'm amused how everybody is getting in line now to tell me all the execs and talent responsible for the huge success of this movie. But, first, let's not forget that Jeff Blake's ace marketing and distribution team can sell virtually anything. And no doubt Clint Culpepper is on a hot streak: this is Screen Gems' third #1 film of the year, and Sony Pictures' fourth #1 in 2012. Besides Harvey, comedian Kevin Hart deserve credit for turning out his rabid fanbase by endlessly promoting the pic and dominating the social media conversation about it. Hart is still a fairly fresh film star: his 2011 standup comedy film Laugh At My Pain shocked the industry by making Top 10 numbers despite playing in very few theaters. Harvey's and Hart's and the cast's popularity allowed Sony to take advantage of some 40+M social connections on Facebook and Twitter. And then there's Tim Story (Barbershop, Fantastic Four 1 and 2) who directed the film. 'How many prominent African American film comedy directors are there after all who have helmed a mainstream breakout hit?' one insider gushed to me. Besides Harvey, screenwriting credit went to David A. Newman and Keith Merryman, while producer credit went to William Hacker.
Warner Bros' romantic drama from star author Nicholas Sparks (The Notebook, Dear John), The Lucky One starring Zac Efron is looking like $8.9M Saturday ' about even with Friday ' for a $23.5M weekend. This is another wild overperformer because the studio only expected $15M through Sunday. Playing in 3,115 theaters, it received a 'B+' CinemaScore from audiences. Warner Bros' private tracking saw this film was at the high end for a Sparks film, which all have a good multiple of approximately 4x. So the studio marketed the movie based on the well-developed fan base for both Sparks and Efron. (Though Zac's box office appeal is going down as his age goes up.) The campaign targeted females both by leveraging Zac's appeal and the novelist's pedigree. 'The heart of our online marketing campaign was leveraging the celebrity and likability of Zac Efron in advertising, publicity and social media, while additionally leveraging the various social networks surrounding Nicholas Sparks and his previous films,' a WB exec told me. The sell was heavily focused on romance, and included aspirational messages like 'What if you were destined to fall in love with someone before you even met?' (I know: barf. But this crap works, obviously.)
And nice matinee numbers came in for DisneyNature's 4th documentary Chimpanzee which received an 'A' CinemaScore from audiences. It's looking like $10.3M for the weekend from 1,563 plays. (Who can resist that cute ape face?) That beats last year's African Cats which opened at $6M and made $15.4M, while Oceans in 2010 opened with $6M and went on to $19.4M. Fact that the second day of Chimpanzee went up from opening day is a first for a Disneynature film. Studio claims the label 'enables us to sustain the company's longstanding commitment to conservation. Through donations tied to the first three Disneynature films, Disneynature has planted three million trees in Brazil's Atlantic Forest, established 40,000 acres of marine protected area in The Bahamas, and protected 65,000 acres of savanna in Kenya.' The label launched in April 2008 and keeps turning out high-grossing feature-length nature films. For this simian pic, Disneynature joined forces with the Jane Goodall Institute for a special 'See Chimpanzee, Save Chimpanzees' program. For every moviegoer who sees the pic during opening week, the label makes a donation to Goodall through the Disney Worldwide Conservation Fund to protect chimps.
Attention, fanboys! Once again the earth is about to spin off its axis when comic worlds collide. I've confirmed that Warner Bros/DC Comics' The Dark Knight Rises will debut its 3rd trailer when Marvel's The Avengers opens on May 4th. 'Yes, our 3rd trailer will be out with The Avengers,' a Warner Bros exec just told me. 'We see this placement as a good strategic decision. We always want our trailers to be seen with films that people want to see ' and a lot of people will be going to The Avengers!' The pairing was first teased by the Warner Bros Exhibitor website, and spotted by NolanFans.com. Both 2D and 3D conventional showings of The Avengers (as well as 2D and 3D IMAX showings) will be playing the TDKR trailer. 
This isn't the first time Warner Bros has placed a big DC Comics trailer in front of a Marvel movie. Back in 2008, the third trailer for The Dark Knight played before showings of Iron Man. (In 2010, interestingly, the final trailer for Christopher Nolan's Inception played in front of Iron Man 2.) When I suggested that newly intensified DC vs Marvel rivalry might preclude this kind of trailer pairing, the studio exec explained, 'It will provide the best potential exposure for TDKR. It's a big positive for everyone!' And certainly a boon for Joss Whedon's pic. After all, when TDKR's first major glimpse paired with Paramount's Mission Impossible 4's release in late 2011, it goosed MI4's opening numbers. The only question now will be which movie makes more moolah: Batman 3 or The Avengers. I'm confident that 
both could set new 3-day weekend numbers. So far The Dark Knight Rises, which opens July 20th, has released two official trailers ' a teaser that focused on Commissioner Gordon (Gary Oldman), and a trailer that spotlighted the villainous Bane (Tom Hardy).
Daniel Adams was arrested in December and charged with defrauding Massachusetts of about $5 million in inflated tax credits he obtained for the movies The Lightkeepers (2009) and The Golden Boys (2008). He wrote and directed both and shot them in the state. Today, he was sentenced to a 2- to 3-year state prison term that will begin May 10. He was also placed on 10 years' probation and he must repay the state $4.377 million. Prosecutors allege Los Angeles-based Adams intentionally inflated expenses when completing forms for the tax credit and the state overpaid his production companies. One of Adams' alleged false claims was paying Richard Dreyfuss $2.5 million for Lightkeepers when the actor's actual fee was $400,000. Adams was most recently attached to direct The Big Valley, based on the TV series was to have starred Jessica Lange in the Barbara Stanwyck role. His lawyer said today Adams still hopes to finish that movie.
The federal criminal copyright case against Megaupload founder Kim DotCom in the United States may never go to trial because although DotCom has been served with court papers, his file-sharing company hasn't, according to a New Zealand newspaper's coverage of the case in the U.S. Federal judge Liam O'Grady said he didn't know if 'we are ever going to have a trial in this matter' after he was informed Megaupload had not been served with criminal papers. Dotcom's U.S.-based attorneyIra Rothken said 'We don't believe Megaupload can be 
served in a criminal matter because it is not located within the jurisdiction of the United States.' Prosecutor Jay Prabhu told the Virginia court hearing that might not matter because Dotcom owned 68% of the company. Instead of a corporation that might show up for a trial, Prabu suggested it was a case 'seven people who actually don't want to show up.' Dotcom faces a court hearing for extradition to the United States after a warrant was issued for him and six others on criminal copyright charges relating to music and movies on its computer servers. O'Grady raised the possible lack of a trial during arguments over FBI applications to wipe Megaupload's vast database of members' files. O'Grady said those motions to erase the data on 1100 computer servers seized from Megaupload could be 'premature' and requested more information on why Megaupload had not been served.
BREAKING: Disney has paid mid six figures for Ground Control To Major Tom, a romantic comedy by Butter scribe Jason Micallef that has Seth Gordon attached to direct. Butter producer Michael De Luca will produce this with Underground's Josh McGuire and Trevor Engelson. They are keeping the plot line under wraps, so it's unclear how David Bowie will be referenced, since the title is a line from his classic song Space Oddity. Several studios chased the comedy. 
The blockbuster will run on more than 100 Imax screens in North America from April 27 to May 3, the large-screen theater company and Lionsgate announced this morning. They say 'overwhelming demand' propelled the decision to bring the film back. 'The Hunger Games has become a cultural phenomenon and we are thrilled to provide moviegoers with another opportunity to see this year's most successful film in Imax,' the theater company's President Greg Foster says. The movie has grossed more than $533M worldwide since March 23, and $13.2M of that came from its one-week run on Imax.
Lawrence Kasdan's latest returns his focus to baby boomers reminiscent of some of his past work. In this feature, he spotlights the story of a woman who loves her dog more than her husband. And naturally the situation worsens when he loses the dog. 'What we were shooting for is trying to talk to that generation and about their lives as John Updike did in the Rabbit series,' Darling Companions producer Anthony Bregman told Deadline. 'It's along the lines of other [Kasdan] films that check in with that generation.' But unlike the director's past work including The Accidental Tourist and The Big Chill, studios did not come knocking. 'The industry has changed a lot since those films came out,' Bregman said, adding that studios shy away from stories like Darling Companions so the production had to take a different approach in order to get the feature completed. 'This time, it was an independent production with a quicker shoot. We didn't have the same luxuries that are typical of a studio film,' he said. 'The challenge was to stick to the agenda while maintaining a high production value and ambitious casting.'
Downtown Express
Marley
The Moth Diaries
Jesus Henry Christ